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Soul
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Remembering
Bob Marley
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TONY:
So how Donovan first come in the band?
FULLY: Long after. Remember
Maxie Rose played with the band too. And after Maxie it was
Horsemouth.
FRANCES: Wait a minute. So
Max Edwards left the band?:
FULLY and TONY: Him go to jail!
Every minute Max Edwards get himself in trouble.
TONY: One night we supposed to
have a show in a bad place called Triple Moulan -- a street dance
show. And Max Edwards was in jail. So we didn't' have a drummer.
FULLY: I don't remember exactly
how it happened, but somewhere I had met Horsemouth and had
mentioned to him that I'd like him to come play drums for us
sometime. So we got Horsemouth to come play on the street-dance
thing because Max had gone to jail.
TONY: Yeah, Max was in jail.
FULLY: Then some bad boy call us
to come do a show at Gold Coast.
TONY: On Gold Coast where
nobody would play.
FULLY: A gunman place that
people get killed all the while. They called it DANCE HALL THING.
And this place, everytime they have something there, somebody
dead.
TONY: So every band refused to
go.
FULLY: Yeah, no band want to go
and play there. So he come to my house and say that the Ken Booth
band didn't want to play. So we say, "Yeah, mon, we come and
play." My father used to be the manager. So the man come to
my father and say, "Mr. B, we'd like the band to come
play.” We were young and didn't care, we'd go anywhere. So,
that's how Horsemouth come on now. We rehearsed and then . . .
FRANCES: Wait a minute,
what happened to the show?
FULLY: The show don't come on
yet. This guy named Bob Eye, him have two guns in his waist; he
came to the rehearsal at my gate. We had a big lime tree that we
used to rehearse under. Stranger Cole, Ken Boothe, Leroy Wilson,
every artist you can think about, probably about 10 artists come
and we rehearse them. And each artist do about 6, 7, 8, 9 songs.
We rehearsed the whole night there, and the yard was packed with
all the kids from around the neighborhood. So after we were done
rehearsing (it was a Saturday night) we were to go play at this
place. The place was packed; it was a big dance-hall thing. And
this guy, King Stitch was playing too. He was a very popular DJ at
that time. Anyway, the people love we; they love the band.
Afterward, in the night when we were coming home, we had the truck
back all packed up with the instruments and things and people. My
father was there too. Some of the bad boy sit down on the
instruments.
TONY: Down in Jamaica we
didn't have buses late at night. It was about 2 o'clock in the
morning and people needed a ride to go home, so they jumped in the
back of the truck. Some of them sat on the drum set. Horsemouth
started to quarrel and tell them they couldn't sit on the drum
set. So they pulled him off the truck and beat him up -- kicked
him through a wire fence and things.
FULLY: So he got back on the
truck; but Horsemouth was a bad boy too. So here's what happened:
When he got back on the truck, his clothes were torn up but he sat
down and kept quiet. The truck made a mistake and stopped in a
place that was Hoursemouth’s area, where he had his gang. So he
jumped off the truck and go call for his gang men. They came
running after the truck with machetes. So the bad boys that had
beat up Horsemouth started to cry and yell to the driver
"Drive! Drive!" The truck drive about 20 miles an hour
top speed. So Horsemouth's people tried to run down the truck, but
couldn't catch it. If they'd caught it, there would have been
blood. From there, Horsemouth was a member of the band. He would
sleep at my house. My father liked him very much.
FRANCES: How'd he get the
name Horsemouth?
FULLY: Because he looked like a
horse. His mouth long.
TONY: His real name is Leroy
Wallace. But the bad boys called him Horsemouth.
TONY: Horsemouth later left
the band when he got a real good offer to play with a very
important band called the Vikings.
FULLY: Donavon was our singer
then. He was a book boy. His mother had 13 boys. They were
bookworm people. Toby, who played keyboards with us sometimes,
told us Donavan could sing. So one day he came in and started
singing some songs. And we say, “Yeah he can sing!” So Donavon
became our main singer and Cleon Douglas left the band. Then
Chinna came in. He used to come by with a brother named Don't Rush
It. Someone said, "That brother can sing," talking about
Chinna. So we said, "Come sing some songs." He sang real
good, so we told him to come sing with us sometimes. He was just
learning to play guitar at that time. My father told him to come
practice at the house whenever he wanted to. So he used to be at
the house practicing day and night.
FULLY: We did some shows around
the place where we got 25 cents each for. A guy named Reggie, a
guitar player who used to jam with us, formed up a band called the
Hippie Boys with Family Man. That was about the time Horsemouth
left to go play with the Vikings. He brought down Santa. Santa
couldn't play at that time, but Horsemouth taught him to play
then. Santa had been playing in the drum corp before that -- a
marching drum core. But we had known Santa before that because his
family was friends of my family. His mother was one of my mother's
good friends.
TONY: We started recording
then.
FULLY: The first recording we
did was Coxin, Coxin.
TONY: Cleon Douglas sang on
it, "Dream, dream, dream, dreaming my life away."
FULLY: Bunny Lee was the one who
really got us in the studio. But we would do 20 songs and only get
paid for one or two.
TONY: Then Phil Phrat come to
us, and we started to make big hit songs with him. Every song we
recorded with him became a hit.
FULLY: But Max Edwards used to
play on some of them. Now Chinna was playing lead guitar with the
band, Santa on drums, Tony on rhythm guitar. But Max Edwards
recorded on the album, Was, Is and Always with us ‘cause Santa
got a break to go play with Jimmy Cliff. We called Santa to do a
tour, but he was busy with Jimmy Cliff. So we got back Max
Edwards.
FRANCES: When did Dennis
Brown sing with the band?
FULLY: Dennis was a young boy.
He was singing with a group call the Falcons. Horsemouth would
play with them sometimes too. Horsemouth came to get me to come
play with them because they needed a bass player. The Falcons
consisted of Pat Sactchmouth, Dennis Brown, Cynthia Richard, and
Noel Brown. They were very big in those days making a lot of hits.
They were a big band, with horns too. They used to go to the
country to play at the big clubs.
FRANCES: So you went over
there to fill in on bass?
FULLY: Right, fill in bass.
Dennis was just learning to sing at the time. It was about a year
after that that he came in to be vocalist for the Soul Syndicate.
Then, when Dennis Brown left, Freddie McGregor came in to sing. He
came on tour with us to America -- his first American tour. Then
Michael Rose came in as our singer.
FULLY: We used to do big shows
every New Year's -- New Year's Ball.
TONY: A big event at the VIP
Lounge. Every big artist played there.
FULLY: Our band was one of the
top ghetto recording and stage bands. Ghetto, because even when we
were at the V.I.P. Lounge, the manager there said we were garage
players because we didn't wear uniforms. We used to dress anyhow
we wanted to dress. So that's how we started to make uniforms.
Glen Adams and a girl named Lana made the first uniforms. Then we
went to play in Montego Bay.
TONY: For about a year. We
lived down there and played at a club every night.
FULLY: We played for some big
singer, Merlin Years, a jazz singer. We were backing her up.
TONY: And she carried us to
Cuba.
FULLY: Yeah, she carried us to
Cuba to do a show. That time we were wearing our uniforms and
playing socha and all kinds of music. That time Scottie was our
keyboard player. But Scottie got killed. His father was a
contractor, and he didn't want Scottie in the music business
because he wanted him to work with him. But Scottie loved the
music, and one day he was at a house that his father was building,
They were there on a Sunday looking at the house and three guys
came to the house. They tied up Scottie and his father and didn't
find any money. So they shot his father right beside him but
didn't hurt Scottie. A year later one of them got caught, and the
guys’ friends said they were going to have to kill Scottie
because they were afraid he'd be a witness and testify against
them. So one night Scottie was coming home in his truck from some
place he was working. As he came out of his truck to open his gate
at his house, the guy came out of Scottie's house and shot him
straight in the head and kill him dead. That's how we get another
player now.
FRANCES: Did they ever
catch him, the killer?
FULLY: No, never catch him.
FULLY: That's how we bring the
mad guy, Danny. The mad keyboard player Danny, a hell-of-a-good
player, but crazy.
TONY: We couldn't take him.
FULLY: And we had a trumpeter
gone to prison too. He had killed a little girl. We used to go to
prison to play.
TONY: Yeah, we were playing at
the prison with Big Youth, and we heard someone call out to us.
FULLY: "Fully! Tony! Wha’
happen?" And we say, "Isn't that our trumpeter? What'd
you do?" He called back, "The boy them I a frame
me." And I said, " Yeah, right -- framed you."
TONY: Framed for murder --
rape and murder.
FULLY: Rape and murder --
serving life sentence. A whole heap of friends we see there too.
Stammer, and Johnny-Be-Too-Bad. Too-Bad is in prison serving
triple life sentence, and it's a one life a man have. So all them
are in prison. Anyway, it was fun in those days. We used to play
at Victoria Pier. Sometimes we played for nobody. One time we
played at a place called the Blue something.
TONY: Where the goats came up
on stage.
FULLY: Yeah, we played for
goats, pure goats -- nobody but goats. You should have seen us up
on stage. The band played like hell, and not one soul, just some
goats. And the goats enjoyed the music.
FRANCES: Well, who was
paying you to play there?
FULLY: Pay? We didn't get much
money, probably about 5 pounds to share amongst all of us.
(laughing) But we didn't care cause we used it as a rehearsal --
we were young. The owner was a nice guy and he was trying to build
up the club. But nobody ever turned up.
TONY: The Moonlight Lounge, it
was called. A nice place out-of-doors.
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Soul
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Remembering
Bob Marley
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